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Reseña de álbum

On his fourth Criss Cross release, organist Melvin Rhyne is joined by trumpeter Ryan Kisor, tenor saxophonist Eric Alexander, guitarist Peter Bernstein, and drummer Kenny Washington to perform six Rhyne originals, two jazz classics, and one standard, the beautiful ballad "Laura," a feature for Alexander's tenor sax. Best known for a stint with Wes Montgomery during the late '50s and early '60s, Rhyne displays an understated but distinctive organ sound and strong basslines, complementing the youthful energy that Kisor and Alexander bring to the session. Bernstein and Washington are veterans of Rhyne's other three Criss Cross releases, two of them by the trio, resulting in what could be a great working group. Other favorites include "J. Robin," a medium swinger that alternates between funk and Latin feels in the head, "Captain McDuff," a medium shuffle written in tribute to fellow organist Jack McDuff, Bud Powell's aptly titled "Wail" (taken at a blazing tempo), and the relaxed groove of "It's Love." This is a welcome addition to Rhyne's growing discography.

Biografía

Nacido(a): 12 de octubre de 1936 en Indianapolis, MN

Género: Jazz

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s

Organist Melvin Rhyne's greatest fame was his participation on four Wes Montgomery Riverside sessions (including Montgomery's first and last album for the label). Fortunately, Rhyne survived long enough, after some lean years, to return to the major-league jazz scene and record some CDs of his own. Born in Indianapolis, Rhyne (a largely self-taught pianist) was an important part of the city's jazz scene. He played with the then-unknown Roland Kirk during 1955-1956, and soon switched to organ. He...
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Stick to the Kick, Melvin Rhyne
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