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The Back Door Wolf

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Reseña de álbum

This, Wolf's last hurrah, is his final studio album. Cut with his regular working band, the Wolf Gang, everything here works well, despite Detroit Junior's annoying use of harpsichord on several tracks. Highlights include Eddie Shaw's "C**n on the Moon," Wolf's own "Moving" and "Stop Using Me," and both takes of "Speak Now Woman." Not the place to start a Wolf collection by any means, but a great place to end up.


Nacido(a): 10 de junio de 1910 en West Point, MS

Género: Blues

Años de actividad: '30s, '40s, '50s, '60s, '70s

In the history of the blues, there has never been anyone quite like the Howlin' Wolf. Six foot three and close to 300 pounds in his salad days, the Wolf was the primal force of the music spun out to its ultimate conclusion. A Robert Johnson may have possessed more lyrical insight, a Muddy Waters more dignity, and a B.B. King certainly more technical expertise, but no one could match him for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out...
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