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Reseña de álbum

In another experiment, producer Creed Taylor teams O'Day with the alternately Latin and bop-grounded quartet of vibraphonist Cal Tjader — and he gets some amazing performances from this team. O'Day sounds as if she is delighted with Tjader's polished Afro-Cuban grooves, gliding easily over the rhythms, toying with the tunes, transforming even a tune so locked into its trite time as "Mr. Sandman" into a stimulating excursion. Indeed, O'Day's freewheeling phrasing becomes downright sexy on "That's Your Red Wagon" and Dave Frishberg's delicious parody of a spoiled honeybunch, "Peel Me a Grape." Also, thanks to Taylor's obsession with good engineering and tasteful applications of reverb, O'Day's voice sounds much fuller and more attractive in his productions than on her Norman Granz-produced albums. ~ Richard S. Ginell, Rovi

Biografía

Nacido(a): 18 de octubre de 1919 en Chicago, IL

Género: Jazz

Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s, '00s

Few female singers matched the hard-swinging and equally hard-living Anita O'Day for sheer exuberance and talent in all areas of jazz vocals. Though three or four outshone her in pure quality of voice, her splendid improvising, wide dynamic tone, and innate sense of rhythm made her the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on...
Biografía completa
Time for Two, Anita O'Day
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