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Anthology: '83 - '89

White Lion

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Reseña de álbum

This is not another "best-of" compilation, though it is packaged that way. White Lion's Anthology 83-89 is actually an exquisite compilation of unreleased material handpicked by singer Mike Tramp, who gives a quick overview with four paragraphs of liner note information written in Bali, Indonesia in 2005. For a band that released four major albums between 1983 and 1991, there are five "best-of" style compilations in their catalog released between 1992 and 2005, including an album by Tramp which features European session musicians re-recording the classics titled The Ultimate White Lion. Twenty-two years since the release of their debut in 1984, this album goes back one year further into the vaults and proves a tremendous find. All the classics are here except for the Golden Earring cover. Guitarist Vito Bratta and singer Mike Tramp didn't penetrate the market as songwriters with the fame of Lennon and McCartney or even Page and Plant, for that matter, but they sure know how to put some magic into such a limiting genre, and these unreleased masters and demos are far from throwaways: they are superb. The pity here is that this wasn't the 1992 follow-up to Mane Attraction. Also, where the "best-of" packages are usually limited, with between ten and 13 titles each, there are a whopping 30 great tracks on this Anthology, making for more than a trip down memory lane. The creativity and passion tucked inside each track make for a truly essential look at a band that got somewhat overlooked specifically because of the limits of their genre where the hard rock was sometimes overshadowed by the length of the musicians' hair. 1999's The Cars self-titled Deluxe Edition, as well as the 2000 CD New England 1978 (by the more obscure but equally talented arena rock band New England) are similar finds like this: nuggets from the treasure chests that are both revealing and highly entertaining.

The 30 tracks from White Lion on Anthology 83-89 give a clear indication that this group could and should have followed Aerosmith into the '90s and beyond. This retrospective, complete with demos, reveals a loud pop band rather than the limiting '80s metal the group is categorized as. The name and image surely doesn't hold up as well as the music, and these melodic moments stand the test of time very well. "Lights and Thunder" kicks off disc two as eloquently as "Hungry" does the honors on the first of these two 15-song discs. Alternate versions of the two hits are also included on disc one, with the Top Ten "Wait" from April of 1988 as the third track, while the even bigger "When the Children Cry," from December of that year, placed seventh on the CD; spacing the most familiar tunes by tucking them between the well-produced and superbly executed gems (that can hardly be considered "outtakes" or "throwaways") was a good idea. This could actually be a good introduction to the band's underrated music, as there's no indication whatsoever on the CD cover that this is not the material that appeared on the four discs released on Atlantic Records; perhaps it's a bit misleading, not to mention on the outside packaging that this isn't the studio material fans already know, and perhaps a mistake, as this "raw material" could be considered the group's fifth album.

Biografía

Se formó en: 1983 en Brooklyn, NY

Género: Rock

Años de actividad: '80s, '90s, '00s, '10s

Of all the glam/pop-metal bands that crawled out of hair salons coast to coast during the mid- to late '80s, one of the more talented acts was New York's White Lion, led by singer Mike Tramp (originally from Denmark) and guitarist Vito Bratta. The group originally formed in 1983 and despite several bassists and drummers coming and going (including future Black Sabbath and Great White bass player Dave Spitz), the group managed to issue a debut, Fight to Survive, on the independent metal label Grand...
Biografía completa
Anthology: '83 - '89, White Lion
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