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How to Save a Life

The Fray

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Reseña de álbum

The Fray were among the first of the flood of bands that combined the influence of British neo-stadium acts like Coldplay and Keane, the retro-AOR bands of the mid-'90s — chief among them Counting Crows and the Wallflowers — and American emo-pop bands like Something Corporate and Jimmy Eat World. The Denver four-piece has the requisite piano and flag-waving choruses of the Brits, the slick sound and unfailing conservatism of the AOR bands, and the over-emoted vocals and confessional nature that are cornerstones of emo. All the songs on their debut, How to Save a Life, sound almost exactly alike and also exactly like you would expect — sincere, melodic, authentic, and bereft of anything surprising or exciting. This doesn't make for the kind of record that people will want to listen to over and over again but for modern rock, it isn't half-bad. A couple of songs, like "Over My Head (Cable Car)" and "Dead Wrong," might even sound good in the background of a WB teen drama.

Biografía

Se formó en: 2002 en Denver, CO

Género: Rock

Años de actividad: '00s, '10s

By pitching their music somewhere between the arena-friendly style of U2 and the mature pop/rock of bands like Maroon 5 and Counting Crows, the Fray rose to commercial prominence with their 2005 debut, How to Save a Life. The Denver-based band had formed three years prior, when former schoolmates Isaac Slade (vocals, piano) and Joe King (guitar, vocals) unexpectedly bumped into each other at a local music store. The pair began a series of two-man jam sessions and soon expanded their lineup with two...
Biografía completa
How to Save a Life, The Fray
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