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Reseña de álbum

This album has several musical and historical significant aspects, making it Esquivel's most desirable. First, it is one of only three or so truly great RCA Stereo Action ("The Sound Your Eyes Can Follow") albums. The music is deliberately scored for channel separation, but there is more to the stereo gimmickry than the arrangements. Not counting layered-track (multi-dubbing) efforts, Latin-Esque was the first album recorded with total stereo separation — two separate orchestras in two separate studios performed, connected by headphones. The results are fairly fantastic. Latin-Esque also is Esquivel's first stereo album in the Latin-esque style of his great first album, To Love Again. ("Jungle Drums" from that LP is updated here.) The artist's jaw-dropping masterpiece of zany pop, "Mucho Muchacha," is a highlight. "Carioca," "La Paloma," and several other standards also were well-chosen for this project. This album was essential to the renaissance of Esquivel's popularity in the 1990s.


Nacido(a): 20 de enero de 1918 en Tampico, Tamaulipas, Mexico

Género: Pop

Años de actividad: '50s, '60s, '70s, '80s, '90s

In the mid-'90s, Juan Garcia Esquivel enjoyed one of the most unexpected resurgences of popularity — and hipness — in the annals of 20th-century pop. The composer and arranger skirted the lines between lounge music, eccentric experimentalism, and stereo sound pioneer in the late '50s and early '60s on a series of albums aimed at the easy listening market. Both cheesy and goofily unpredictable, these records were forgotten by all but thrift-store habitues for decades. With the space age...
Biografía completa
Latin-Esque, Esquivel
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