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Memoirs

Paul Bley

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Reseña de álbum

Memoirs serves as a tidy summation of Paul Bley's gifts as an individual and musical conversationalist. It helps that he converses with old friends. Paul Motian is, roughly, to the drums what Bley is to the piano, capable of sculpting icy, paradoxical emotions; on moment's notice, they can venture "out" where tonal centers and rhythmic pulses are not invited. And there, always, is the fundamental Charlie Haden, who demonstrates how a few well-placed notes and well-observed silences can lock a group texture into place. ~ Josef Woodard, Downbeat, Rovi

Biografía

Nacido(a): 10 de noviembre de 1932 en Montreal, Quebec, Canada

Género: Jazz

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s

Pianist Paul Bley, whose earliest recordings sound like Al Haig or Bud Powell, took the styles and techniques associated with Oscar Peterson, Wynton Kelly and Bill Evans to new levels of creative experimentation, becoming an indispensable force in modern music by combining the best elements in bop and early modern jazz with extended free improvisation and procedural dynamics often found in 20th century chamber music. This approach places him in league with artists as diverse as Red Garland, Elmo...
Biografía completa
Memoirs, Paul Bley
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