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Snow Flower and the Secret Fan

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Reseña de álbum

Composer Rachel Portman brought the same level of grace and gentle melancholy to her score for the 19th century Chinese drama Snow Flower and the Secret Fan as she did on previous, similarly themed efforts like Never Let Me Go, Grey Gardens, and The Cider House Rules. Portman's effortless blend of traditional Chinese folk music and modern classical is both stately and unassuming, resulting in the kind of cinematic listening experience that requires little knowledge of the source material to be enjoyed.

Biografía

Nacido(a): 11 de diciembre de 1960 en Haslemere, England

Género: Bandas sonoras

Años de actividad: '90s, '00s, '10s

A British-born composer, Rachel Portman's biggest claim to fame was being the first woman to win an Academy Award (an Oscar, that is) for Best Original Score. The award, which resulted from her work on the 1996 film Emma, wasn't her only chance at the coveted prize. She continued her streak of well-received scores by earning nominations in 1999 and 2000 for Cider House Rules and Chocolat, respectively. Portman's first score, for the film War of the Buttons, appeared in 1994. She went on to write...
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Snow Flower and the Secret Fan, Rachel Portman
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