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The Red Krayola

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Reseña de álbum

Now working with such younger musicians as John McEntire (Tortoise), Jim O'Rourke, and David Grubbs, Mayo Thompson comfortably steers the Red Krayola into the mishmash of '90s post-punkdom here. For Thompson, it's not so much a return to the scene (he had always kept recording, after all) as a continuation of his themes of musical eclecticism. It's heavy on the angular guitar lines and unusual lyrical construction/deconstruction, with occasional electronic flutters. It's not as highly recommended as his two subsequent Drag City releaes (Amor and Language and Hazel), which state the same thematic concerns with a tad more melodicism and warmth.

Biografía

Se formó en: 1966 en Houston, TX

Género: Alternativa

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

One of the longest-lived underground rock groups (if not the longest-lived), the Red Krayola lasted through the birth pangs of psychedelia past the death throes of post-punk. The one constant in their ever-shifting lineup has been principal singer/songwriter/visionary Mayo Thompson, who has seemed as concerned with deconstructing the language of "rock" music as with actually expressing himself within it. That has made the Red Krayola's catalog challenging, often difficult...
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