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During his years at Atlantic, Burton became a major player on vibes featuring a cooler, less blues-oriented technique that didn't sacrifice passion or individuality, and he also was among the earliest jazz musicians to incorporate other elements into their style without losing their improvisational outlook. Both areas are displayed on this 14-cut anthology presenting two separate Burton albums. The first five cuts were an LP teaming him with pianist Keith Jarrett; it proved a most intriguing match, with Jarrett reigning in his excesses, playing with flair, and never failing to click with Burton. The other nine songs were on the LP Throb, in which Burton continued the jazz-c*m-rock and country experimentation that marked other LPs like Tennessee Firebird and Duster.


Nacido(a): 23 de enero de 1943 en Anderson, IN

Género: Jazz

Años de actividad: '60s, '70s, '80s, '90s, '00s

One of the two great vibraphonists to emerge in the 1960s (along with Bobby Hutcherson), Gary Burton's remarkable four-mallet technique (best displayed on an unaccompanied version of "No More Blues" from 1971) can make him sound like two or three players at once. He recorded in a wide variety of settings and always sounds distinctive. Self-taught on vibes, Burton made his recording debut with country guitarist Hank Garland when he was 17, started recording regularly for RCA in 1961, and toured with...
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Throb, Gary Burton
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  • USD 6.99
  • Géneros: Jazz, Música
  • Publicado: 1969

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