10 Songs, 49 Minutes

EDITORS’ NOTES

With album number three, Mojave 3 delivers on what's always been promised. Its country-via-U.K. sound finds its way tucked between Nick Drake, Gene Clark, Cowboy Junkies, and Red House Painters. The music's lazy gait lets Neil Halstead's voice resonate nicely alongside lyrics that are equally effective as words with meaning and as pure sounds. "In Love with a View" purrs along for six minutes; it never feels like a stretch, but rather like a warm, soothing fire where the pedal steel guitars and piano crackle with comfort. Rachel Goswell emerges for the lead vocal on the quicker-stepping "Bringin' Me Home." However, this is mostly Halstead's show. His gentle whispers and unassuming vocals throughout "My Life in Art," "When You're Drifting," and the exquisitely sad rainy-day lullaby "She Broke You So Softly" dominate the atmosphere. It's a long way from his days as a daring and compelling shoegazer in Slowdive. His songwriting has blossomed into something new, and his tasteful arrangements make listening easy and rewarding. 

EDITORS’ NOTES

With album number three, Mojave 3 delivers on what's always been promised. Its country-via-U.K. sound finds its way tucked between Nick Drake, Gene Clark, Cowboy Junkies, and Red House Painters. The music's lazy gait lets Neil Halstead's voice resonate nicely alongside lyrics that are equally effective as words with meaning and as pure sounds. "In Love with a View" purrs along for six minutes; it never feels like a stretch, but rather like a warm, soothing fire where the pedal steel guitars and piano crackle with comfort. Rachel Goswell emerges for the lead vocal on the quicker-stepping "Bringin' Me Home." However, this is mostly Halstead's show. His gentle whispers and unassuming vocals throughout "My Life in Art," "When You're Drifting," and the exquisitely sad rainy-day lullaby "She Broke You So Softly" dominate the atmosphere. It's a long way from his days as a daring and compelling shoegazer in Slowdive. His songwriting has blossomed into something new, and his tasteful arrangements make listening easy and rewarding. 

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6:09
4:47
7:21
4:48
6:01
3:24
5:05
3:51
3:50
4:19

About Mojave 3

Between the recording and release of Slowdive's ambient Pygmalion, Neil Halstead began writing more song-based tunes to occupy down time. Weeks after being dropped by Creation, Halstead and the remaining members of Slowdive (Rachel Goswell and Ian McCutcheon) recorded six demos within three days, much of it live without overdubs. Their manager brought the tape to 4AD head Ivo Watts-Russell, who immediately gave the trio money to record more material. Feeling that the direction was too removed to retain the Slowdive moniker, they christened themselves Mojave, only to add "3" later for legal purposes. Signed to 4AD, the six demos and three later-recorded songs made up 1996's Ask Me Tomorrow. Subtle, sparse, and somber, the record drew likenesses to Mazzy Star and Cowboy Junkies, along with some debatable country references. Not necessarily country, it sounded like unplugged Slowdive with a slight twang. The band gigged for several months, including a package 4AD tour in the U.S. with Scheer and Lush, dubbed the "Shaving the Pavement Tour."

The shift away from Slowdive was completed with 1998's Out of Tune. More upbeat in nature, it also featured more involved arrangements. Former Chapterhouse guitarist Simon Rowe was officially added as a member, as well as Alan Forrester on keys. Their full-time presence helped round out the band's sound. At this point, Mojave 3 -- and Halstead's classicist songwriting in particular -- began to earn favorable comparisons to Bob Dylan, Nick Drake, and Neil Young. Excuses for Travellers followed two years later, continuing in similar fashion as something of a hybrid of their first two LPs. Three years came and went -- and were broken up by a Halstead solo album -- before the release of Spoon and Rafter, an album that was recorded throughout the course of a year, at the band's studio in Cornwall. The next bandmember to release a solo record was Goswell, whose 2004 release Waves Are Universal was met with critical and commercial indifference. Perhaps the whole group was feeling this wave of indifference too, because their next record, 2006's Puzzles Like You, threw their formula out and recast them (quite successfully) as an uptempo pop band with the occasional country-influenced ballad. ~ Andy Kellman & Tim Sendra

  • ORIGIN
    England

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