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La Masquerade Infernale

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Album Review

Certainly one of the more eclectic releases in the metal genre in some time, La Masquerade Infernale will grasp the listener (who is most likely expecting another generic black metal album) within only a short while. First of all, all growling, screaming, yelping, etc. is gone for the most part; the vocalist has now adopted a semi-operatic style. As the album progresses, one will be confronted by instrumental tracks, industrial-ish sounds, and jungle beats. Poetry, theater (as shown by the lyrics and insert art) and avant-garde musics have most definitely played a large part in the culmination of this album. However, the real question to be asking is, does it work? Somewhat. Considering that metal rarely veers into uncharted water such as this, the album is a breathe of fresh air for those that have grown tired of standard styling and boundaries. Yet it often seems that the album sacrifices the actual metal in order to include alternate attributes. While it's a very metallic album, the riffs and overall song patterns are quite uninspiring, leaving one to think that the album possibly uses these techniques to cover up songs that are inherently transparent. But overall, this is not a bad piece of work. Arcturus has the potential to become quite a seminal band, especially considering La Masquerade Infernale's popularity among metal fans, but the actual album leaves a bit more to be desired.

Biography

Genre: Rock

Years Active: '00s, '10s

Culling its membership from various Norwegian black metal luminaries, Arcturus has been an evolving project for founding keyboardist Steiner "Sverd" Johnsen and drummer Hellhammer (also known as a member of Mayhem, one of the most infamous Norwegian black metal ensembles). The results of this newer endeavor have been quite fruitful, and with their full-length debut, Arcturus proved that they are some of the best black metallers of the late '90s. The group initially began as a collaboration between...
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La Masquerade Infernale, Arcturus
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