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Let's Get Killed

David Holmes

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Album Review

On David Holmes' second album, the first to be released in America, he explores with even greater depth his fascination with original soundtrack material. Recording snippets of conversation on the streets of New York with his DAT recorder, Holmes returned to England and weaved the vocal samples around his amorphous embrace of several electronic styles, including big beat techno of the type favored by the Chemical Brothers, intelligent drum'n'bass (as on the title track), and the gentler soundtrack-feel of ambient-house. The effect created is like that of a soundtrack, and even though Let's Get Killed isn't attached to a film, it flows with energy and grace.

Biography

Born: 14 February 1969 in Belfast, Ireland

Genre: Alternative

Years Active: '90s, '00s, '10s

David Holmes is the among the best in a growing cadre of invisible-soundtrack producers inspired by the audio verité of classic film composers — Lalo Schifrin, John Barry, Ennio Morricone — as well as the usual stable of dancefloor innovators and a large cast of jazz/soul pioneers to boot. Similar to the work of Howie B, Barry Adamson, and Portishead's Geoff Barrow, Holmes' productions are appropriately spacious and theatrical, though usually focused on future club consumption as well....
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Let's Get Killed, David Holmes
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