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Album Review

White Rainbow recorded a respectable disc of ambient music on ZOME, released about two years (in November 2005) after it was recorded (in October 2003). Comprised of just four tracks, it was at times tangentially related to songs and rock music, and at others drifted into wholly instrumental electronic-dominated territory. The mood on the opening selection, "Gilded Golden Ladies," is languid and mellow with an electronic sheen, the vocals functioning more as ornamental elements than features on which to focus. The material gets less conventional as the disc progresses, at times skirting the space rock of a band such as 1970s Pink Floyd, but with a more placid, serenely passive ambience in its combination of crystalline reverbed guitar, basic keyboard riffs, and electronic skitters. The closing title cut, which at 20 minutes takes up about half the album, gets into more electronic, intelligent new age-ish territory, with spacious decaying and overlapping tones establishing an atmosphere of consistent but always-slightly-varying calm. Toward the final part, there's a mild buildup in tension as more parts are added and intersect, and gaps between the repetitions of notes become shorter and shorter.


Born: Portland, OR

Genre: Alternative

Years Active: '00s

White Rainbow is the solo project of Portland-based experimental/psychedelic musician Adam Forkner, who also played with Yume Bitsu and Surface of Eceon and works with Valet's Honey Owens as the duo World. As White Rainbow, Forkner plays music that is wide-ranging, encompassing lengthy pieces inspired by La Monte Young, Tangerine Dream, and Miles Davis, and he has also created multimedia installation works. In 2003, he released [[[[VVRSSNN]]]], which fused the space rock of Yume Bitsu with forays...
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Zome, White Rainbow
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