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Clear Cut - EP

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Album Review

It should come as no surprise that a song by Lali Puna written and produced in conjunction with Tim Simenon (aka Bomb the Bass) resulted in one of Markus Acher and Valerie Trebeljahr's hardest-hitting songs. "Clear Cut" essentially takes the basic elements of Lali Puna's woozy electronic pop, siphons the lush, programmed rhythms typical of the group's songs, and grafts on a Grade A hip-hop beat from Simenon. The original is then reconfigured by a number of Morr Music associates. Herrmann und Kleine push the beat further up in the mix, eventually distorting it after an extended break that illuminates the non-rhythmic features; Thomas Knak turns it into a fluttery twitch; Uwe Zahn's take is the most relaxing, coaxing new melodies without forsaking the hip-hop slant; and then the Kleine half of Herrmann und Kleine goes off on his own and comes up with the most tranquil remix of the group. A decent but inessential tangent from those involved.


Born: 1968 in London, England

Genre: Electronic

Years Active: '80s, '90s, '00s, '10s

Tim Simenon, the one-man electronica whiz kid behind Bomb the Bass, is a sampledelic British hip-hop producer who also co-produced a pair of massive international hits: Neneh Cherry's "Buffalo Stance" and Seal's "Crazy." Born in Brixton of Malaysian and Scottish parentage, Simenon became interested in dance production after studying studio engineering and DJing at London's Wag Club, a mecca for fellow breakbeat mavens like S-Express' Mark Moore and Coldcut's Jonathan More and Matt Black. In 1987,...
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Clear Cut - EP, Bomb the Bass
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