Takashi Hirayasu & Bob Brozman
Open iTunes to preview, buy and download music.
||Jidai No Nagare||Takashi Hirayasu & Bob Brozman||3:27||0,99 €||View in iTunes|
||Koza No Machi||Takashi Hirayasu & Bob Brozman||4:51||0,99 €||View in iTunes|
||Haha No Uta||Takashi Hirayasu & Bob Brozman||3:51||0,99 €||View in iTunes|
||Nankuru Naisa||Takashi Hirayasu & Bob Brozman||5:06||0,99 €||View in iTunes|
||Tojo Nite||Takashi Hirayasu & Bob Brozman||6:22||0,99 €||View in iTunes|
||Chim Don Don||Takashi Hirayasu & Bob Brozman||3:30||0,99 €||View in iTunes|
||Aitaina||Takashi Hirayasu & Bob Brozman||5:36||0,99 €||View in iTunes|
||Mensoreyo-Toshin Doi||Takashi Hirayasu & Bob Brozman||4:24||0,99 €||View in iTunes|
||Ayagu||Takashi Hirayasu & Bob Brozman||5:01||0,99 €||View in iTunes|
Takashi Hirayasu and Bob Brozman's first collaboration, Jin Jin/Firefly, was such a creative triumph that one hoped the two would someday meet again. Thankfully, it didn't take Okinawan singer/sanshin player Hirayasu and American guitarist Brozman five or ten years to get back together. Jin Jin/Firefly was recorded in 1999, and their next studio encounter, Nankuru Naisa, is a 2001 release. Although the acoustic-oriented albums have some things in common — both combine Okinawan music with elements of rock, blues, and Hawaiian music — Nankuru Naisa is hardly a carbon copy of its predecessor. While Jin Jin/Firefly found Hirayasu and Brozman putting their own spin on traditional Okinawan children's songs, Nankuru Naisa is dominated by Hirayasu's own compositions. This CD only contains two traditional Okinawan songs: "Ayagu" and "Chim Don Don," a familiar melody that Hirayasu wrote lyrics for. One of the musicians who joins Hirayasu and Brozman on some of the material is Mexican-American guitarist David Hidalgo, the fearless leader of Los Lobos since 1973. Hidalgo, who plays accordion on "Aitaina" and requinto guitar on other tracks, is an eclectic, broad-minded player who is well-versed in rock as well as a variety of Latin music — he isn't afraid of a musical challenge, and he demonstrates that Mexican touches can work well on an album with an Okinawan foundation. While Nankuru Naisa is excellent, it isn't long enough — the disc is only 42 minutes long, and one regrets the fact that Hirayasu and Brozman don't provide another half-hour's worth of material. But that's the only thing that's regrettable about this album, which is as charming as it is risk-taking.
Born: 08 March 1954 in New York, NY
Years Active: '80s, '90s, '00s