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Prisoners In Paradise

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Editors’ Notes

When Prisoners in Paradise was released in 1991, the hair metal trend that had made Europe famous had run its course. That’s a shame, because in a lot of ways Prisoners in Paradise has more to offer than the multiplatinum smashes that preceded it. The band had given up on the gauzy production of the '80s and chosen a more in-your-face sound. The tighter production makes it easier to see the punchy pop-rock of “Halfway to Heaven,” “Talk to Me,” and “All or Nothing” as extensions of the timeless stadium rock of the '70s (think Cheap Trick and Bad Company) rather than the dated hair metal of the '80s. Over time, fans of the band’s earlier hits came back to rediscover “I’ll Cry for You” and “Prisoners in Paradise,” two works that affirmed Europe’s mastery of the power ballad. Between Joey Tempest’s towering vocals and the rollicking guitar of Kee Marcello, Europe had everything that a band like Bon Jovi had, minus the massive fame. The AC/DC-inspired “Seventh Sign” even served to remind fans that there was a roaring rock band under all the pretty pop tunes.


Formed: 1981 in Stockholm, Sweden

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Originally a progressive rock group, Europe didn't achieve success until they reworked their sound into bombastic yet melodic pop-metal. In their first incarnation, the Swedish band was called Force. The band -- featuring core members Joey Tempest (vocals), John Norum (guitar), Tony Reno (drums), and John Leven (bass) -- won a national talent contest in the early '80s, which led to a record contract. After changing their name to Europe and releasing two albums in Sweden (Europe and Wings of Tomorrow),...
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Prisoners In Paradise, Europe
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