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Album Review

1-900-Get-Khan is more than just a collection of songs charting the harsher side of downtempo breakbeat and minimalist techno. Similar to David Holmes' Let's Get Killed, Khan's first album for the American super-indie Matador is the soundtrack to a European's attraction for the seamier side of New York. While the cover is set up with ads for a personal section, the title itself is also a functioning 1-900 number, available for $2.99 per minute. The songs inside are well-produced, though a few too many imply the illicitness with simple add-ons like a descending bassline or vibraphone twinkles. Still, "Jet Lounge Blues," "Nowhere" and "Body Dump" showcase the effect of Khan's thematic scope — the latter track even features Julee Cruise intoning lines like "carpet fibers don't lie." An extension of his 1997 recording Silent Movie, Silver Screen, 1-900-Get-Khan is an excellent invisible soundtrack.


Born: 07 June 1965

Genre: Electronic

Years Active: '90s, '00s, '10s

An original Structure label group artist with dozens of releases on Köln-based imprints such as DJ Ungle Fever, XXC3, Eat Raw, and Pharma, N.Y.C.-based experimental electro producer Can Oral is the man behind an array of pseudonyms. Recording most often as 4E and Khan, Oral's discography is also littered with such monikers as Bizz O.D., Gizz T.V., El Turco Loco, and Fuzz DJ. One of only a handful of European producers to move to the U.S. in order to jump-start the dozing underground, Oral includes...
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1-900-GET-KHAN, Khan
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