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Space Is Only Noise

Nicolas Jaar

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Albenrezension

Space Is Only Noise is the first full-length effort by Nicolas Jaar, a Chilean-American producer whose work is deeply influenced by Ricardo Villalobos, jazz pianists like Dave Brubeck and Keith Jarrett, and Leonard Cohen. Early singles "Russian Dolls" and "Time for Us" were more dancefloor-friendly than the album, which layers multiple acoustic instruments, most notably Jaar's own jazz-inflected piano, sampled vocals, and even a drum solo (the 23-second "Trace") into a melancholy, pensive 45-minute journey. Jaar assembled the disc from several years' worth of recordings — he's relentlessly productive — but it has a conceptual unity that makes it feel like the product of a single burst of inspiration. This music is spiritual, psychedelic at times, and always rooted in a strong core concept that goes beyond "intelligent dance music" toward the idea that electronics are merely a tool, and do not themselves demand loyalty to any particular aesthetic. In some ways, the music on Space Is Only Noise is reminiscent of pianist Matthew Shipp's early-2000s albums like Equilibrium and Harmony and Abyss, with sampled vocals and occasional singing to bring it closer to pop. Indeed, had he not chosen to release it on his own label, Jaar could well have found a home as part of Thirsty Ear's Blue Series.

Kundenrezensionen

klasse

ob entspannt zum Autofahren oder in den eigenen 4-wänden zum tag-ausklingen-lassen.
gelungenes album. auch nach 2 Jahren höre ich es immer noch gerne.

Purer Genuss

Atemberaubendes Ambiente; tiefe Stimmung. Ein sehr gelungenes Album, welches eine abwechslungsreiche Spanne zeigt. Einfach perfekt.

Biografie

Geboren: 10. Januar 1990 in New York

Genre: Electronic

Jahre aktiv: '00s, '10s

Nicolas Jaar, one of the least predictable and most experimental dance music producers of the late 2000s and early 2010s, was born in New York but spent much of his early childhood in Santiago de Chile — the birthplace of his father, Alfredo Jaar, an artist and filmmaker — until he moved back to New York before his teens. In 2004, while under the spell of Ethiopian jazz and Erik Satie, Jaar began to feel his way through music production and made something of a breakthrough after his father...
Komplette Biografie
Space Is Only Noise, Nicolas Jaar
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