17 Songs, 1 Hour 12 Minutes


Ratings and Reviews

5.0 out of 5
13 Ratings
13 Ratings




Tolle, schöne Musik!

Das sind wirklich tolle Soundtracks, die super zum Film passen, aber auch so sehr schön klingen.
Diese Lieder sind soo schön und ich kann sie nur jedem empfehlen.
Meine Favorieten sind:
The Wardrobe, Lucy Meets Mr. Tumnus, From western woods to beversdam, The Battle und Only the beginning of the adventure.

Absolute Kaufempfehlung !!


Ich finde ziemlich gelungen

Ich finde es ist sehr gut gelungen
Und immer wenn Arslan da ist ist die Musik super und herrausragend finde ich ist the battle

About Harry Gregson-Williams

Harry Gregson-Williams is an award-winning film composer from the U.K. who began making his mark on the Hollywood film industry around the turn of the century. Known for his work in movie franchises such as Shrek and The Chronicles of Narnia, he's the older brother of film/TV composer Rupert Gregson-Williams.

Born in England on December 13, 1961, Gregson-Williams studied voice and piano at the Guildhall School of Music & Drama in London, where he later taught music. While he began working as a film composer in the early '90s, his big break came when he was taken under the wing of Oscar-winning film composer Hans Zimmer during the mid-'90s. He worked on the soundtracks of Zimmer-scored films including Crimson Tide (1995), Muppet Treasure Island (1996), The Rock (1996), and As Good as It Gets (1997). He went on to collaborate with Trevor Rabin (1998's Enemy of the State and Armageddon) and John Powell (1998's Antz, 2000's Chicken Run, 2001's Shrek) as well.

Meanwhile, Gregson-Williams began taking the lead on the soundtracks of children's movies like The Tigger Movie (2000) and Spy Kids (2001) as well as action films such as Phone Booth (2002) and The Rundown (2003). By mid-decade, he was scoring A-list films including Shrek 2 (2004), Man on Fire (2004), and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) which earned him a Grammy nomination for best score. His subsequent work in the 2000s included Gone Baby Gone (2007), Shrek the Third (2007), The Chronicles of Narnia: Prince Caspian (2008), and X-Men Origins: Wolverine (2009). In addition, he began composing music for the video game franchises Metal Gear Solid and Call of Duty. Highlights of his work in the 2010s include Shrek Forever After (2010), Cowboys & Aliens (2011), The Martian (2015), and The Zookeeper's Wife (2017). ~ Marcy Donelson & Jason Birchmeier

13 December 1961



Listeners Also Bought