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In Waves (Special Edition)

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Albenrezension

By and large, the heavy metal community can be counted on to listen with open ears and form individual, unbiased opinions, but some prejudices still run deep, and the members of Trivium have been on the receiving end of several of these throughout their career. Cursed by their own precociousness, musical malleability and, most problematic, their earnest ambition and self-confidence, the quartet has quite simply been blacklisted by a considerable swathe of listeners, led by self-appointed officers of the heavy metal poseur police, and helped none by their contract with leading heavy metal label Roadrunner, whose very success can ironically become an albatross around its bands' necks. As a result, Trivium have been dodging verbal barbs and metaphoric flying tomatoes ever since the modern melodic thrash of sophomore album Ascendancy (their first for Roadrunner, coincidentally), landed them on magazine covers and on stages with Metallica, who they proceeded to inadvisably clone on hit-and-miss third opus, The Crusade, before delivering a more brutal and technical sound on fourth album Shogun. But, since the latter still smacked unfairly against the immovable wall of the aforementioned prejudices, the group — now armed with new drummer Nick Augusto — obviously saw no other recourse than to revisit the less overwrought style of Ascendancy on its fifth studio album, 2011's In Waves. In doing so, Trivium prove that template to be their honest-to-goodness comfort zone, as song after song whips by, wedding equal doses of neo-thrash aggression and accessibility, represented by frontman Matt Heafy's alternating clean and gruff vocals as well as his and fellow guitarist Corey Beaulieu's jagged staccato riffs and tight-knit harmonies. Yes, results may vary from song to song, depending on the listener's tastes, but not Trivium's commitment to crafting fully realized, self-sufficient tracks under the stewardship of producer Colin Richardson (who stepped in for the less versatile Jason Suecof) and veteran Roadrunner A&R man Monte Conner (the man responsible for signing Sepultura, Cynic, and many more). But, naturally, despite all these merits (and, sure, imperfections, too), Trivium will probably be vilified once again for taking the same sort of creative backward step that the fans typically clamor for from Metallica, Slayer, and other bands on down; it's the essence of the Florida band's "can't win" lot in life, but there's always hope that this will change, in time. [A CD/DVD version was also released.]

Kundenrezensionen

Best of Album mit nur neuen Songs

Ein echt starkes Trivium Album. Ich finde es ist eher ein Best of Album, denn da stimmt jeder Song. Über die Jahre gab es viele verschiedene Trivium Alben, aber In Waves bringt all die Erfahrung, die die Band gesammelt hat zusammen. KAUFEN !!!!!!

Top!

Das ist definitiv das BESTE Trivium Album! Klasse Sound, jedes Lied ist wirklich super!!! Matts Stimme ist oft zu hören, dazu gefallen mir die Melodien viel besser als bei "Shogun".
Sehr zu empfehlen sind die Lieder "Forsake Not The Dream" und "Of All These Yesterdays"!
Ich sage nur: !!KAUFEN!!

Kaufen, Kaufen, Kaufen!!!

Was hier Trivium abliefert ist ein Meisterwerk!!
Das Zusammenspiel von Gesang und "Gegröle", dazu perfekt instrumentalisch abgestimmte.
Wie im Titel gesagt: Kaufen!

Biografie

Gegründet: 2000 in Orlando, FL

Genre: Rock

Jahre aktiv: '00s, '10s

Hailing from central Florida, Trivium formed in 2000 and quickly built a buzz around Orlando's metal community with a blend of metalcore, thrash, and progressive metal flourish. Having secured a contract with the German imprint Lifeforce, the band issued its debut album, Ember to Inferno, in October 2003 with a lineup that included vocalist/guitarist Matt Heafy, drummer Travis Smith, and bassist Brent Young. The debut was well received, and Trivium signed with Roadrunner Records for their next effort....
Komplette Biografie
In Waves (Special Edition), Trivium
In iTunes ansehen

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