Der iTunes Store wird geöffnet.Falls iTunes nicht geöffnet wird, klicken Sie auf das iTunes Symbol im Dock oder auf dem Windows Desktop.Progress Indicator
Der iBooks Store wird geöffnet.Falls iBooks nicht geöffnet wird, klicken Sie im Dock auf die iBooks-App.Progress Indicator

iTunes ist die einfachste Möglichkeit, digitale Medien in Ihre Sammlung aufzunehmen und zu verwalten.

iTunes wurde auf Ihrem Computer nicht gefunden. Jetzt iTunes laden, um Hörproben von Surfin' South of the Border von The Lively Ones abzuspielen und diese Titel zu kaufen.

iTunes ist schon installiert? Klicken Sie auf „Ich habe iTunes“, um es jetzt zu öffnen.

Ich habe iTunes Gratis-Download
iTunes for Mac + PC

Surfin' South of the Border

Öffnen Sie iTunes, um Hörproben zu wählen und Musik zu kaufen und zu laden.


The dozen cuts on 1964's Surfin' South of the Border are split among the Lively Ones and the Surf Mariachis — the latter consisting of five renowned West Coast studio session instrumentalists under the direction of Del-Fi Records owner Bob Keane. The results yielded what was arguably one of the first "concept albums" of the surf rock subgenre. The project was unabashedly designed as a vehicle to release the remnants of the the Lively Ones' previous endeavors. The remaining time was filled with new Latin-flavored versions of tunes already well known by the targeted teen audience. Regardless of how opportunistic those terms might seem, give credit where credit is due, as Keane pulls off yet another inspired collection. Truth be told, it is curious why Lively Ones tracks such as the spirited opener, "Torquay," and the echoplex-happy reading of Ernest Gold's 1960 Oscar-winning composition "Exodus" were initially left on the editing room floor. The personnel of the Surf Mariachis boasted Conte Candoli (trumpet), Tom Scott (sax), Jay Migliori (sax), Billy Strange (guitar), and Frankie Capp (percussion), so it isn't that difficult to understand why they sound comparatively polished. "Watermelon Man" is a particularly tasty groove, as is Lalo Schifrin's frenetic "Undertow" and Lee Hazlewood's "Baja Surf," all of which strike a perfect balance between cool and kitsch. [In 2004, Collectors' Choice Music issued the Lively Ones' Surf City/Surfin' South of the Border, including both LPs on a single CD.]


Gegründet: 1963

Genre: Rock

Jahre aktiv: '60s

One of the best of the many instrumental surf bands working the Southern California region in 1963, the Lively Ones made recordings built around storming, reverb-drenched Fender guitars embellished by occasional raunchy sax breaks. Originality was not the Lively Ones' forte; over a period of about 12 months, they ground out about five albums, filled out with many covers or retitled numbers based on other rock and R&B compositions. They had a couple of hits in the L.A. area in 1963 ("Surf Rider"...
Komplette Biografie
Surfin' South of the Border, The Lively Ones
In iTunes ansehen
  • 11,88 €
  • Genres: Rock, Musik, Surf
  • Erschienen: 1964


Wir haben noch nicht genügend Bewertungen erhalten, um einen Durchschnittswert für diesen Artikel anzeigen zu können.