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Flamenco!

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Albenrezension

A strictly traditional flamenco record, Pepe Romero's 1987 recording Flamenco! features not only his own sterling guitar work, but also singer Chano Lobato's expressive vocals and, in an inspired touch that not enough flamenco artists have thought of, two genuine flamenco dancers, Maria Magdalena and Paco Romero. Flamenco, after all, is dance music, and as in some forms of English contra dancing, Appalachian clog dancing, and other forms of folk music, the percussive sound of the dancers' shoes (and the female dancer's traditional castanets) is intended as part of the music. As a result, Flamenco! has a vitality and excitement often missing from classical flamenco records, which can sometimes come off as a bit stuffy and overly serious. Lobato's voice, a dusky alto with a beautifully controlled vibrato, suits the material perfectly, capturing the florid theatricality of flamenco music without going over the top. There are undoubtedly better flamenco records than this, but there are few that are as much fun.

Kundenrezensionen

Flamenco! von Pepe Romero

Eine Klasse für sich, wird höchstens noch von Manitas de Plata übertroffen, oder nur erreicht.

Biografie

Geboren: 08. März 1944 in Málaga, Spain

Genre: Klassik

Jahre aktiv: '60s, '70s, '80s, '90s, '00s

Pepe Romero has played the guitar for as long as he can remember, debuting at the age of seven. His father was the legendary guitarist Celedonio Romero and was his only teacher. Along with his father and brothers Celin and Angel, Romero formed the Romeros Quartet, and riding on the heels of Celedonio's celebrity in Spain, embarked on an international career that made them the most famous guitar ensemble in the world. From this secure base, Pepe Romero had little difficulty in establishing himself...
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Topalben und -titel von Pepe Romero

Flamenco!, Pepe Romero
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