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Albenrezension

At this point in the group's tenure, Touré Kunda had returned to the format they began with, the duo of Ismaila and Sixu Tidiane Touré, albeit backed by a fairly large ensemble. Things work for the better the sparer and more limited the instrumentation, the pair sounding wonderfully pure on voice/percussion pieces like the opening "Hadidia," "Teria," and the closing "Oromiko." However, too often they drift toward easy listening or smooth jazz on songs like "Soppe," with its kitschy plucked (synth) strings and Kenny G.-ish soprano saxophone. On the other hand, both the trumpet and trombone players take solos that could have the listener, just for a moment, thinking s/he's listening to a Brotherhood of Breath outtake. There's also some effective use of accordion and a not-too-soppy children's chorus. None of the songs have the immediate grabbing power of previous hits of theirs like "Em'ma" or "Salya," though, making this collection seem rather lightweight when judged against earlier, meatier efforts.

Biografie

Genre: Weltmusik

Jahre aktiv: '80s, '90s

An infectious blend of African, Latin, Brazilian, reggae, and pop rhythms have made Toure Kunda one of the most successful bands to come out of Senegal. Their album Paris Ziguinchor sold more than a quarter of a million copies while their guest harmonies helped to turn Africa Bamba into one of the most exciting songs on Santana's nine Grammy award-winning 1999 album, Supernatural. Initially based in the Casamance region of southwest Senegal, Toure Kunda was formed by brothers Amadou, Ismael, and...
Komplette Biografie
Sila Beto, Toure Kunda
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