iTunes

Der iTunes Store wird geöffnet.Falls iTunes nicht geöffnet wird, klicken Sie auf das iTunes Symbol im Dock oder auf dem Windows Desktop.Statusanzeige
iTunes

iTunes ist die einfachste Möglichkeit, digitale Medien in Ihre Sammlung aufzunehmen und zu verwalten.

iTunes wurde auf Ihrem Computer nicht gefunden. Jetzt iTunes laden, um Hörproben von Mask von Bauhaus abzuspielen und diese Titel zu kaufen.

iTunes ist schon installiert? Klicken Sie auf „Ich habe iTunes“, um es jetzt zu öffnen.

Ich habe iTunes Gratis-Download
iTunes für Mac + PC

Mask

Bauhaus

Öffnen Sie iTunes, um Hörproben zu wählen und Musik zu kaufen und zu laden.

Albenrezension

Managing the sometimes hard-to-negotiate trick of expanding their sound while retaining all the qualities which got them attention to begin with, on Mask the members of Bauhaus consciously stretched themselves into newer areas of music and performance, resulting in an album that was arguably even better than the band's almost flawless debut. More familiar sides of the band were apparent from the get-go; opening number "Hair of the Dog," one of the band's best songs, starts with a double-tracked squalling guitar solo before turning into a stomping, surging flow, carefully paced by sudden silences and equally sudden returns to the music, while Murphy details cases of mental addictions in pithy phrases. The energy wasn't all just explosive angst and despair, though; the one-two punches of "Kick in the Eye" and "In Fear of Fear" have as much hip-shaking groove and upbeat swing to them as portentous gloom (Ash's sax skronk on the latter, as well as on the similarly sharp "Dancing," is a particularly nice touch). Elsewhere, numerous flashes of the band's quirky sense of humor — something often missed by both fanatical followers and negative critics both — make an appearance; perhaps most amusing is the dry spoken-word lyric beginning "Of Lillies and Remains," as David J details a goofily grotesque situation as much Edward Gorey as Edgar Allen Poe. Add to that three of the most dramatic things the band ever recorded — the charging, keyboard-accompanied "The Passion of Lovers," the slow, dark fairy-tale-gone-wrong "Hollow Hills," and the wracked, trudging title track, where the sudden appearance of an acoustic guitar turns a great song into a near-perfect blend of ugliness and sheer beauty — and the end result was a perfect trouncing of the sophomore-slump myth.

Biografien

Gegründet: 1978 in Northampton, England

Genre: Alternative

Jahre aktiv: '70s, '80s, '90s, '00s

Bauhaus are the founding fathers of goth rock, creating a minimalistic, overbearingly gloomy style of post-punk rock driven by jagged guitar chords and cold, distant synthesizers. Throughout their brief career, the band explored all the variations on their bleak musical ideas, adding elements of glam rock, experimental electronic rock, funk, and heavy metal. While their following...
Komplette Biografie

Klicke auf den iTunes und App Store Facebook-Seiten auf „Gefällt mir“, um exklusive Sonderangebote, die aktuellsten Insider-Nachrichten zu neuen Apps und vieles mehr zu erhalten.