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Yes, Virginia

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The Dresden Dolls could never be accused of being shy and retiring, but on their second full-length, Yes, Virginia, they sound more confident than ever, igniting their cabaret-rock with more crazed inventiveness and you-are-there immediacy. While there's nothing as instantly captivating as their first album's winsome "Coin-Operated Boy" or the defiant "Girl Anachronism," Yes, Virginia is a more powerful and consistent set of songs overall, moving from musically and emotionally complex ballads like "Delilah" and the album closer, "Sing," to shouty, forceful numbers such as "Necessary Evil" and "Sex Changes." Sean Slade and Paul Q. Kolderie's production adds to the bigger, more rock-inspired sound of the album, which invigorates Amanda Palmer's character sketches. While the highly theatrical, stylized sound of the Dresden Dolls might seem to be the substance of their music — and, admittedly, it does draw the listener in right away — it's the strong songwriting that makes the band truly impressive. Palmer's lyrics have a mix of sympathy and disdain for the people and subjects in her songs that makes them seem very honest in spite of, or perhaps because of, their theatricality. On "Backstabber," Palmer dismisses a "greedy little fit-haver" with a "God, I feel for you, fool" that's a perfect blend of fury and pity. She goes after and celebrates uncomfortable moments, whether it's cataloging the drunken haze of "My Alcoholic Friends" (which is one of the jauntiest, poppiest distillations of the Dolls' sound to date) or "First Orgasm," a bleak and almost creepily intimate ballad that's not at all jokey despite lines such as "I'm taking matters into my own hands" and "there won't be any second coming." Full of ambitious twists and turns, equally vulnerable and sarcastic, Yes, Virginia alludes to the famous 1897 New York Sun editorial that reassured a little girl that Santa Claus exists for a reason: as arch and ironic as the Dresden Dolls might seem on the surface, inside their music, there's a surprising amount of hope and heart. [This is the clean edition of the CD.]


Mal was anderes

Die Musik der Dresden Dolls ist anders als alles was ich bisher gehört habe. Bin aus Zufall vor Jahren beim stöbern im Internet zu den Dresden Dolls gekommen, über ihre Homepage und den Song "Coin operated Boy" (nicht auf dieser Platte!), welcher z.B. MIKA zu seinem Song "Toy Boy" inspiriert haben dürfte. Zu "Yes, Virginia...": Fast "minimalistisch" nur Schlagzeug und Klavier mit Gesang, aber trotzdem immer irgendwie "fetzig", das bekommt Amanda Palmer alleine mit ihrer Stimme und ihren Texten hin. Allein schon der Songaufbau mit den Wahnsinnstexten sind eine willkommene Abwechslung zu dem Mainstream-Pop-Strophe-Refrain-Strophe-Muster. Diese Platte gefällt vielleicht nicht beim ersten mal anhören, aber beim zweiten mal ist sie der absolute HAMMER!


Gegründet: 2001 in Boston, MA

Genre: Alternative

Jahre aktiv: '00s, '10s

A variety of noteworthy groups were active on the Boston music scene in the late '90s and early 2000s — groups ranging from retro-soul/funk band Superhoney to the quirky, '80s-minded synth pop/new wave trio Freezepop to the hard-to-categorize Moonraker (who have since moved to New York City). But the most unique and intriguing group to come out of Boston during that period may very well have been the Dresden Dolls, a highly unorthodox duo consisting of lead singer/pianist Amanda Palmer (who...
Komplette Biografie
Yes, Virginia, The Dresden Dolls
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