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Album Review

On recent albums, Estopa have been noticeably trying to outgrow the cheeky attitude typically associated with the band since its 1999 hugely successful debut. 2.0 is perhaps the duo's most daring step toward its own reinvention, as brothers David and José Muñoz have come up with their most mature, eclectic, and hard-sounding record to date. Loud electric guitars are featured prominently and vie for attention with their trademark flamenco ones, as in the lead single "La Primavera." While they have not totally forgotten their rumba roots (check "Empanados," a throwback to their early sound), this album is notable for being a genre melting pot, an impression underlined by the duo's penchant for changing rhythms in midsong. Indeed, 2.0 is a restless mutant, from the mixture of rumba, hip-hop, and hardcore that opens the album ("Mañanitas 2.0") to pure undiluted rock ("Alma Animal"), a piano ballad ("Un Rincón del Mundo"), swing ("La Bombillita"), and even heavy metal with a reggae bridge ("La Locura").


Formed: 1999 in Barcelona, Spain

Genre: Pop in Spanish

Years Active: '00s, '10s

Spanish pop duo Estopa, formed by brothers José and David Muñoz, made an impressive debut with their self-titled album in 2001, released by BMG-Ariola. Playing a mixture of flamenco-pop and rhumba-rock, Estopa became a top-selling act in less than a year; they were voted Revelation of the Year and Best Spanish Band at the 2000 Amigo Awards. In 2001, they released Destrangis and in 2004 the smash hit ¿La Calle Es Tuya?, which followed a cameo appearance on Antonio Mercero's film The 4th Floor. The...
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2.0, Estopa
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