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Matizes

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Album Review

Matizes is Djavan's 18th studio album, and another exemplary display of his unique style of composition and singing. As usual, Djavan writes songs that incorporate elements of jazz, bossa, soul, rock, blues, pop, and just about everything under the sun that is immaculately elegant, and yet that can never be pinpointed to any specific genre. Similarly, his lyrics exude a languid romanticism, although, as in "Imposto," he may also occasionally indulge in social criticism — of course, those who do not speak Portuguese would never be able to comprehend its incensed subject matter, since Djavan's vocal delivery remains as suave as ever. However, as accomplished as it is, Matizes is no masterpiece, but just a fine addition to Djavan's impeccable discography. In this sense, it is telling that the album's best moments are those that most immediately remind the listener of previous Djavan songs, such as the title track; the trademark first single, "Pedra"; and the samba tribute to Rio de Janeiro, "Louça Fina."

Biography

Born: 1950 in Maceió, Alagoas, Brazil

Genre: MPB

Years Active: '70s, '80s, '90s, '00s

Djavan is a Brazilian composer, singer, and the owner of a respectable discography. His international success has taken him to the highest-ranking venues worldwide and his songs have been recorded by Al Jarreau, Carmen McRae, the Manhattan Transfer, and, in Brazil by Gal Costa, Paralamas do Sucesso, Ed Motta, Leila Pinheiro, Chico César, Dori Caymmi, Nana Caymmi, Rosa Passos, Lenine, Elba Ramalho, João Bosco, Zélia Duncan, Leny Andrade, Chico Buarque, Daniela...
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Matizes, Djavan
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