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Flamenco.A.Go.Go

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Album Review

Steve Stevens is well-known as one of the supreme architects of heavy rock & roll guitar, as his epic performances on Billy Idol's hits such as "White Wedding" and "Eyes Without a Face" readily attest. This solo album is a wonderful surprise. Stevens' explorations into classical and flamenco music will certainly catch a lot of people off guard, but that's probably precisely the point. Stevens wails and floats through the tracks here with a snake-like abandon, mostly on classical, nylon-string guitar. Flamenco.A.Go.Go also borders on being a dance record, and the rhythms and tempos will no doubt grab every listener. It's mostly an instrumental album, although there are a few wonderful vocal sections. In the end, you have a wondrous, exploratory album which presents one of the finest guitarists of the last 20 years flexing his muscles and stretching his creativity. Fabulous.

Biography

Born: 05 May 1959 in Brooklyn, NY

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

One of the flashiest guitarists (both visually and instrumentally) to emerge from the '80s rock scene was Steve Stevens. Born in Brooklyn, New York, on May 5, 1959, Stevens first picked up the guitar when he was only seven years old, and later became an avid prog rock fan, especially the likes of Emerson, Lake & Palmer and Yes. Honing his craft while playing in Manhattan, Stevens recorded an unreleased album with his band, Fine Maribus, and also played as a session guitarist on Peter Criss' best...
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Flamenco.A.Go.Go, Steve Stevens
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