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Blue Obsession

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Reseña de álbum

Working with producer Tommy Sims — the man who produced Eric Clapton's hit "Change the World" — evidently inspired Michael McDonald, since Blue Obsession is his best record in nearly ten years. Stylistically, it's similar to every record he's made since going solo in the early '80s — namely, it's a combination of adult contemporary ballads and lightly grooving, adult contemporary pop-soul — but the difference is that the quality of the material is uniformly strong. In addition to two covers ("Ain't That Peculiar," "Down By the River"), there's a selection of new songs largely co-written by McDonald and Sims. While there are no crossover pop hits on the level of "I Keep Forgettin'" or "Sweet Freedom," it's a strong collection of songs with only a few slow moments. It's a record that shows McDonald maturing quite gracefully.


Nacido(a): 12 de febrero de 1952 en St. Louis, MO

Género: Rock

Años de actividad: '70s, '80s, '90s, '00s, '10s

With his husky, soulful baritone, Michael McDonald became one of the most distinctive and popular vocalists to emerge from the laid-back California pop/rock scene of the late '70s. McDonald found the middle ground between blue-eyed soul and smooth soft rock, a sound that made him a star. He initially essayed his signature style with the Doobie Brothers, ushering in the group's most popular period with hits like "What a Fool Believes" and "Taking It to the Streets." McDonald disbanded the group in...
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Blue Obsession, Michael McDonald
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