Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de James Blake de James Blake, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

James Blake

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

During 2009 and 2010, James Blake issued a clutch of abstract dubstep singles on Hemlock, Hessle Audio, and R&S. Each release increased anticipation for the producer’s next move as he continually shuffled the deck on his bristly, off-center, and generally groove-less tracks, some of which incorporated vocals — he sampled Kelis and Aaliyah on “CMYK,” for instance — or his own voice, heavily processed. The Klavierwerke EP, the last in the series, was the most stripped down of the bunch. The day after it was released, Blake uploaded a video for his dramatic cover version of Feist’s “Limit to Your Love,” which indicated that the focus on his voice and sparse backing would continue. Consisting of Blake's pensive vocal, a simple but affecting piano, and recurring beat weighed down by sub-bass, it’s one of the most straightforward tracks on Blake’s brief debut album. The following “Give Me My Month” deviates most from Blake’s vinyl output; it’s a wistful piano-and-voice ballad that has far more in common with Procol Harum than any given contemporary linked to Blake. The rest of the tracks are more like exercises in sound manipulation and reduction than songs. The approach is no fault, but Blake pares it down to such an extent that the material occasionally sounds not just tentative but feeble, fatigued, even, as on “I Never Learnt to Share,” where one creaky line is repeated and treated throughout, placed over swelling synthesizer frequencies and a stamping beat. “The Wilhelm Scream,” one of the album’s highlights, is far more effective, a ballad with a pulse that increases in intensity with skillfully deployed reverb and surging waves of soft noise.


Nacido(a): 25 de septiembre de 1988 en Enfield, London, England

Género: Electrónica

Años de actividad: '00s, '10s

El productor londinense James Blake comenzó a hacerse notar a partir de 2009 con una serie de sencillos en los que introducía su peculiar manera de combinar samples de R&B con dubstep y desplegaba una gama de influencias que iban de D'Angelo y Stevie Wonder a Burial y Mount Kimbie. Su primer álbum de larga duración apareció en febrero de 2011 y en octubre del mismo año editó un EP realizado junto a Bob Iver titulado Enough Thunder....
Biografía completa
James Blake, James Blake
Ver en iTunes

Valoraciones de clientes

No hemos recibido suficientes valoraciones para poder mostrar un promedio de este artículo.