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Green Cosmos

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Reseña de álbum

Initially released only in Japan and later in the U.S. via Menlo Park, Deerhoof's Green Cosmos EP shows off a less manic side of the band than their usual modus operandi. The bright, brassy rocker "Come See the Duck" (based on the way the song sounds, the duck must be fire-breathing and six feet tall) is the closest the EP gets to Deerhoof's quintessential approach; even though Green Cosmos is only seven songs long, the band spends the rest of the EP trying on as many different sounds and feelings as they can cram into it. The production is surprisingly lush, with songs like the jazzy "Hot Mint Air Balloon" boasting brass and xylophones and "Spiral Golden Town" moving from trippy symphonic samples to an odd — but totally Deerhoof — fusion of chamber-pop, synth-pop and big-beat. Elsewhere, the band goes gentle: "Malalauma" is delicately psychedelic, with an appropriately Asian feel, while Satomi Matsuzaki's meowed vocals on "Koneko Kitten" make the track that much more adorable. Since Green Cosmos is so short, its eclectic sound doesn't stick around long enough to feel scattered. Instead, it just reaffirms Deerhoof's unspoken manifesto — that music should be fun — and offers a nice, bite-size portion of their crazy sweetness.

Biografía

Se formó en: 1994 en San Francisco, CA

Género: Alternativa

Años de actividad: '90s, '00s, '10s

By turns cuddly and chaotic, San Francisco's Deerhoof mix noise, sugary melodies, and an experimental spirit into sweetly challenging and utterly distinctive music. The group began as the brainchild of guitarist Rob Fisk and drummer/keyboardist Greg Saunier in 1994; early releases, such as the 1995 7"s Return of the Woods M'Lady and For Those of Us on Foot, had a more traditionally harsh, no wave-inspired sound, though they also included the quirky tendencies that dominated their later efforts. Vocalist/bassist...
Biografía completa