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Mega 3: Sixpence None the Richer

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Reseña de álbum

After toiling in relative obscurity in the Christian pop ghetto for several years, Sixpence None the Richer suddenly exploded on to the pop charts in 1999 on the strength of "Kiss Me," an utterly irresistible slice of swoony guitar pop that, once heard, is impossible to shake loose from the brain and could well turn out to be this generation's "I Wanna Hold Your Hand." The rest of the album may not be quite as memorable, but that's not to say that "Kiss Me" is the only thing worth hearing. "Anything," with its fruity chord progression and string sweetening, is almost Beatlesque; "The Lines of My Earth" draws subtly on country influences. Then there's the Pablo Neruda setting. There are moments when the wispiness of Leigh Nash's voice isn't adequately offset by sturdier accompaniment, but overall this is a very winning album. Those who are offended by religious messages in their pop music don't need to worry — there are a few here, but they're pretty subtle.


Se formó en: 1993 en Austin, TX

Género: Inspiración

Años de actividad: '90s, '00s, '10s

Named in honor of a passage from C.S. Lewis' Mere Christianity, the Texas-based CCM band Sixpence None the Richer began taking shape in the early '90s, when guitarist Matt Slocum first met vocalist Leigh Nash (formerly Lee Bingham) at a church retreat. Initially a trio rounded out by bassist T.J. Behling, the group recorded a demo before signing with R.E.X. Records, a label that previously specialized in Christian metal. Their debut LP, The Fatherless & the Widow, appeared in 1993. With the addition...
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Mega 3: Sixpence None the Richer, Sixpence None the Richer
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