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Down On the Upside

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Reseña de álbum

Superunknown was a breakthrough in many ways. Not only did the album bring Soundgarden a new audience, it dramatically expanded their vision, as well as their accomplishments. If Down on the Upside initially seems a retreat from the grand, layered textures of Superunknown, let it sink in. The sound of Down on the Upside is certainly more immediate, but the band hasn't returned to the monstrous, unfocused wailing of Louder Than Love. Instead, they've retained their ambitious song structures, neo-psychedelic guitar textures, and winding melodies but haven't dressed them up with detailed production. Consequently, Down on the Upside is visceral as well as cerebral — "Rhinosaur" goes for the gut, while "Pretty Noose" is updated, muscular prog rock. Down on the Upside is a deceptive album — it might seem like nothing more than heavy metal, but a closer listen reveals that Soundgarden haven't tempered their ambitions at all.

Biografía

Se formó en: 1984 en Seattle, WA

Género: Rock

Años de actividad: '80s, '90s, '10s

Soundgarden introdujo el heavy metal dentro del rock alternativo, combinando el blues-rock grandilocuente de Led Zeppelin y los pesados riffs de Black Sabbath con la ideología hágalo-usted-mismo del punk y la ironía inteligente del underground norteamericano de mediados de los ochenta. Liderados por el cantante Chris Cornell y el guitarrista Kim Thayil, Soundgarden fue una de las primeras bandas en firmar para Sub Pop, la influyente etiqueta independiente de Seattle, y la primera en ser contratada...
Biografía completa