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Sidewalk University

Shinehead

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Notas editoriales de iTunes

By the time of Sidewalk University’s release, Shinehead had established himself as a key player on New York’s flourishing dancehall scene. He'd made a name for himself as one of the sharpest deejays working for Tony Screw’s legendary Downbeat International soundsystem and displayed a truly startling stylistic versatility on record, coming across as a ruthless microphone controller at one moment and a silken-voiced crooner the next. Shinehead’s eclecticism attracted the attention of Elektra Records, which recognized his ability to appeal to listener sensibilities ranging from dancehall and reggae to hip-hop and R&B. Sidewalk University was Shinehead’s third full-length for Elektra and saw him finally achieving the crossover hit the label had long hoped for. This came in the form of “Jamaican in New York,” a lighthearted remake of Sting’s 1988 hit “Englishman in New York”; it was tender enough to appeal to mainstream listeners but kept a real emotional heft that made it an anthem for expatriate Jamaicans not just in New York, but the world over.

Biografía

Nacido(a): 10 de abril de 1962 en Kent, England

Género: Hip-Hop/Rap

Años de actividad: '90s, '00s

The fact that Shinehead split his time growing up between Jamaica and America was reflected in his recordings; the Kent, England-born vocalist (born Edmund Carl Aiken) released several albums between the late '80s and early '90s that blended dancehall and ragga with hip-hop. Whether Shinehead was toasting or crooning or flat-out rapping, he always balanced his material between the positive and socially conscious with more lighthearted sentiments. He got involved with music by performing at New York...
Biografía completa
Sidewalk University, Shinehead
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