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The Last Tango Blues

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Reseña de álbum

The Last Tango = Blues translates the direct, soulful hard bop approach of Blue Mitchell's cult-classic Blue Note sessions into the funk-inspired grammar of mid-Seventies mainstream jazz. Teamed with guitarist David T. Walker, bassist Chuck Rainey, organist Charles Kynard and drummer Paul Humphrey, Mitchell concentrates on straightforward but imaginative readings of contemporary pop hits like "Killing Me Softly with His Song" and Cymande's "The Message"—Richard Fritz's vibrant arrangements further underscore the album's connection to radio and even blaxploitation soundtracks, but the performances are strictly next-level, complete with some of Mitchell's most fiery trumpet.

Biografía

Nacido(a): 13 de marzo de 1930 en Miami, FL

Género: Jazz

Años de actividad: '50s, '60s, '70s

Owner of a direct, lightly swinging, somewhat plain-wrapped tone that fit right in with the Blue Note label's hard bop ethos of the 1960s, Blue Mitchell tends to be overlooked today perhaps because he never really stood out vividly from the crowd, despite his undeniable talent. After learning the trumpet in high school — where he got his nickname — he started touring in the early '50s with the R&B bands of Paul Williams, Earl Bostic, and Chuck Willis before returning to Miami and...
Biografía completa
The Last Tango Blues, Blue Mitchell
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