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Trumpeter Harry "Sweets" Edison was 74 at the time of this live set, but he still sounds in pretty good form. He is teamed with fellow Basie veterans Buddy Tate (who splits his time almost evenly between tenor and his rarely heard clarinet) and tenor saxophonist Frank Wess, while the rhythm section (pianist Hugh Lawson, bassist Ray Drummond, and drummer Bobby Durham) swings in a Basie vein. The sextet plays five veteran standards and two original blues (Edison's familiar "Centerpiece" and Tate's "Blue Creek") and, although not quite essential, this is an excellent late-period recording by Edison, Tate, and Wess.


Nacido(a): 22 de febrero de 1913 en Sherman, TX

Género: Jazz

Años de actividad: '30s, '40s, '50s, '60s, '70s, '80s, '90s

One of the more individual tenors to emerge from the swing era, the distinctive Buddy Tate came to fame as Herschel Evans' replacement with Count Basie's Orchestra. Earlier he had picked up valuable experience playing with Terrence Holder (1930-1933), Count Basie's original Kansas City band (1934), Andy Kirk (1934-1935), and Nat Towles (1935-1939). With Basie a second time during 1939-1948, Tate held his own with such major tenors as Lester Young, Don Byas, Illinois Jacquet, Lucky Thompson, and Paul...
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Swing Summit, Buddy Tate
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