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The Spits

The Spits

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Reseña de álbum

Does everyone in Seattle dress in newsprint and speak in an affected yawp approaching Charlie Harper from the U.K. Subs, or are these phenomena specific to the Spits? This disc is more one- and two-minute tunes to jumping jack from these herky jerky weirdos, and this time around, they've gone in for that authentic "we recorded this in a public toilet" sound. On The Spits (Nickel & Dime), no one seems very concerned with trifles like technical skill, tuning and variation, or even about any hooks beyond the fluorescent haze emitted by a buzzy synth and a batch of recycled punk power chords. And yet, there's something endearing about their uncaring. Maybe they deserve a medal for actually putting as little effort as possible into the music, and still succeeding mightily. The monotone Ramones romp of "Die Die Die" is saved by handclaps, while "Saturday Nite" is probably the only song with such a title to not offer hope for the weekend — instead, the Spits seem like they're on a prowl for trouble, with a hyper synthesizer as a divining rod. By the closing double-shot of "I H8 Pussies" and "Suzy's Face," the Spits' fake accents have mutated to suggest Joe Strummer with sinus problems, and reverb has overtaken guitar as the most prominent instrument. It's been a brief, brash, ride, but a sleazily fun one all the same.

Biografía

Se formó en: 1991 en Seattle, WA

Género: Alternativa

Años de actividad: '90s, '00s, '10s

Playing old-school punk rock with an up-to-date level of snottiness and mordant humor, the Spits have enjoyed a surprisingly long and healthy career bashing out stripped-down rock tunes with equal shares of attitude, aggressive eccentricity, and muscle. Spits founders Sean Wood (guitar and vocals) and Erin Wood (bass and vocals) are siblings who were born and raised in Allegan, Michigan and began making music in 1987 with a band called the Riot Midgets. Deciding the Allegan scene was too sleepy for...
Biografía completa
The Spits, The Spits
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