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It's not every jazz musician who doubles on guitar and oud (the centuries-old Middle Eastern forerunner of the mandolin), but Gordon Grdina makes the combination work. He brought 14 difficult originals to the studio for a recording session with veterans Gary Peacock and Paul Motian, drawing on his interest in blending elements of Arabic music and various jazz genres. When Grdina is playing oud, the songs often seem like they evolved spontaneously in the studio, especially the meandering "Platform" and the dark "Renunciation." On guitar, Grdina's gift for spaciousness and lyricism in the longing "Distant" sounds reminiscent of Jim Hall. The brooding "Cobble Hill" is another striking performance. While Peacock and Motian had their work cut out for them engaging this music, they provide terrific interaction with Gordon Grdina throughout the sessions.


Nacido(a): 12 de mayo de 1935 en Burley, ID

Género: Jazz

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

A sophisticated, forward-thinking jazz bassist, Gary Peacock is a subtle yet distinctive musician whose intuitive, sympathetic ear for group interplay has found him crossing from straight-ahead standards to avant-garde free jazz. While his intellectual curiosity has drawn him to such wide-ranging pursuits as biology and Eastern philosophy, his immense musical talents, most often associated with pianist Keith Jarrett's "Standards" trio, have kept him at the epicenter of progressive jazz and creative...
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Think Like the Waves, Gary Peacock
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