Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de Towards the Wind de Stephan Micus, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

Towards the Wind

Stephan Micus

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

Being a perpetual student, Stephan Micus usually makes world music by default. He breathes patience and skill into the exotic instruments he uncovers, but certainly with respectful bending of the rules along the way. Towards the Wind follows in the same exploratory tradition — educated, but unassuming as to the nature of what an instrument is "supposed to do." Here, the album evokes an easily digestible cross section of Middle Eastern mysticism — swirling sand dunes, rust-colored sunsets, and sacred spaces. The opening passage, "Before Sunrise," shines the spotlight on the bass duduk, an Armenian reed instrument that's typically left to accompany another soloing duduk. Left to his own devices, however, Micus coaxes some pleasant baritones out of the woodwind. Later, he unveils a 14-string guitar of his own design, which he strums in a mildly Spanish direction ("Virgen de la Nieve"). Rounding out the ensemble is a kalimba, a Chinese sattar, and a talking drum from Ghana. Rarely without his shakuhachi, the German-born composer also has his favorite Japanese flute handy for three of the eight selections on this CD. The aforementioned instruments all get a little solo time (or even an entire song), creating a global melting pot that listeners have come to expect from this composer. Only once do those expectations struggle to stay met, and it comes by way of "Eastern Princess," which almost flirts with folk-pop Americana of the 1970s — a steel-string guitar strums quite unmysteriously through the Rocky Mountains, although accompanied by a very curious language he sings, threaded together by syllabication rather than any known meaning (check the final piece to his Music of Stones from 1989). As for the featured double-reed centerpiece, it was after hearing some recordings of Jivan Gasparian (a virtuoso on the duduk) that Micus sought him out in Armenia to be his teacher. Gasparian obliged, and it is through his influence that much of the soloing on Towards the Wind stays airborne. Indeed, Micus describes this instrument as the shakuhachi's "twin" in terms of its breathy qualities and expressiveness. Although he constantly acquires new sounds, his confidence as a musician stays intact. What results is an album of modest beauty — noteworthy because of the instruments and the performer more than the compositions themselves.


Nacido(a): 19 de enero de 1953 en Stuttgart, Germany

Género: Músicas del mundo

Años de actividad: '70s, '80s, '90s, '00s

The respected German composer and multi-instrumentalist Stephan Micus made his first journey to Asia at the age of 16. He has since traveled around the world. He spent extensive periods of time studying ancient musical techniques in India and Japan and collected a number of ethnic instruments previously unknown in the West. His recordings for the ECM label are essentially solo efforts in which the illusion of an ensemble is created by the composer's extensive overdubs. Micus' intention is not to...
Biografía completa
Towards the Wind, Stephan Micus
Ver en iTunes

Valoraciones de clientes

No hemos recibido suficientes valoraciones para poder mostrar un promedio de este artículo.