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Untraceable (Original Motion Picture Soundtrack)

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Reseña de álbum

Director Gregory Hoblit's horror thriller Untraceable is sort of cross between The Silence of the Lambs and Seven updated for the age of the Internet in which an imaginative serial killer who displays his grisly murders on the Worldwide Web is chased by a female FBI agent played by Diane Lane. The movie sticks to the formulas of its genre, and busy soundtrack composer Christopher Young doesn't seem to have seen any reason to do anything different with his score. His contemplative main theme, a delicate piano motif, is reminiscent of John Carpenter's music for Halloween, but his main influence, naturally, is Bernard Herrmann, particularly the score for Psycho. The music sounds orchestral, but the presence of several "synth programmer" credits and the absence of any for, say, orchestra contractor, suggest computer-generated origins.

Biografía

Nacido(a): Redbanks, NJ

Género: Bandas sonoras

Años de actividad: '80s, '90s, '00s, '10s

Christopher Young composed film scores for over 50 movies beginning in 1980, including Hellraiser (1987), The Five Heartbeats (1991), Murder in the First (1995), and Wonder Boys (2000); as well as scores for TV movies such as Vietnam War Story: The Last Days (1989), Max and Helen (1990), and the project that garnered him an Emmy nomination, 1996's Norma Jean and Marilyn. Born in Redbanks, NJ, Young attended the Manhattan School of Music, North Texas State University, and UCLA before scoring his first...
Biografía completa

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Untraceable (Original Motion Picture Soundtrack), Christopher Young
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