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One Track Mind

The Egyptian Lover

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Reseña de álbum

When the Egyptian Lover's second album, One Track Mind, came out in 1986, gangsta rap had yet to become huge. Ice-T's Rhyme Pays and N.W.A's N.W.A. & the Posse — two landmarks in West Coast gangsta rap — didn't come out until 1987, and East Coast hip-hoppers still associated Southern California with the electro-hop style that the Egyptian Lover is best known for. Anyone who expects to find hardcore rap on One Track Mind is bound to be disappointed; this LP isn't for rap purists. But those who appreciated his first album, On the Nile, will find this to be a respectable, if imperfect, sophomore effort. Egyptian's influences remain the same; the quirky rapper/producer still combines his appreciation of Afrika Bambaataa's "Planet Rock," Prince, Man Parrish, and Kraftwerk with elements of North African music and Egyptian imagery. It's a strange mixture — Egyptian inhabits a place in which rap, Prince's Minneapolis sound, European synth pop, and North African music come together. But it's a mixture that works well on infectious electro-hop jams like "Livin' on the Nile," the single "Freak-A-Holic," and "A Stranger Place (The Alezby Inn)," which bears a bit of a resemblance to Prince's "Erotic City." As the title One Track Mind indicates, the Egyptian Lover shares Prince's love of all things erotic. But this LP is never X-rated; the lyrics are suggestive rather than explicit, which is why some of the tunes on One Track Mind had urban radio potential. Egyptian, however, was never a superstar, although he did enjoy an enthusiastic cult following. While One Track Mind isn't as essential as On the Nile, it's a likable release that fans of the electro-hop sound will enjoy.

Biografía

Nacido(a): 31 de agosto de 1963

Género: Electronic

Años de actividad: '80s, '90s, '00s, '10s

One of the most innovative producers of the old-school/electro era, Egyptian Lover's Greg Broussard recorded a parade of singles during the mid-'80s that proved influential for decades. Influenced himself by Kraftwerk/hip-hop soundclashes like Afrika Bambaataa's "Planet Rock" and Man Parrish's "Hip-Hop Be Bop (Don't Stop)," as well as the extroverted black-lover soul of Prince and Zapp, Broussard began recording from his Los Angeles base in 1983. One year later, he emerged with the breakdancing anthem...
Biografía completa
One Track Mind, The Egyptian Lover
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