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Songs 1993-1998

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Reseña de álbum

When Play became a breakout hit in 1999, Elektra readied a basic trainer for listeners new to Moby's practically trademarked style of down-tempo house baroque. Ranging from the Move EP, his major-label debut, to the soundtrack-inspired I Like to Score, Songs 1993-1998 trawls the back catalog to pluck tracks on the same atmospheric level as Play classics like "Porcelain" or "South Side." Many of these tracks — especially ones from Everything Is Wrong and Animal Rights — sound much better in this format, divorced from the rock flame-outs that often surrounded them on the original albums. And though the version of his classic "Go" is actually a re-recording from 1998, it's a solid update that retains much of the original but never sounds like a pointless remake. Songs 1993-1998 also spotlights Moby's continuing excellence in a number of genres, including a few of his Hi-NRG house singles from the mid-'90s ("Feeling So Real," "Move"), as well as his frequently beautiful ambient excursions ("God Moving Over the Face of the Waters," "The Rain Falls and the Sky Shudders"). It's a shame that the compilation completely skips his seminal early productions ("Drop a Beat," "Next Is the E") and a few rarities would've been nice for collectors, but Songs 1993-1998 will satisfy fans of Play waiting for a new album.

Biografía

Nacido(a): 11 de septiembre de 1965 en New York, NY [Harlem]

Género: Electrónica

Años de actividad: '80s, '90s, '00s, '10s

Moby was one of the most controversial figures in techno music, alternately praised for bringing a face to the notoriously anonymous electronic genre and scorned by hordes of techno artists and fans for diluting and trivializing the form. In either case, Moby was one of the most important dance music figures of the early '90s, helping bring the music to a mainstream audience both in England and in America. Moby fused rapid disco beats with heavy distorted guitars, punk rhythms, and detailed productions...
Biografía completa