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The Fat of the Land

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Editors’ Notes

In the mid-'90s, American audiences weren't necessarily sold on electronic music. That was before The Fat of the Land. After all, here was an album that made sense: It had the swagger of hip-hop, the muscle of rock 'n' roll, the kinetic energy of a skate video and synths that might as well have come from outer space. It didn't hurt that Keith Flint and Maxim Reality dripped sneering vocals over most of the album's cuts, giving listeners plenty to shout along to.


Formed: 1990 in Braintree, England

Genre: Electronic

Years Active: '90s, '00s, '10s

The Prodigy navigated the high wire, balancing artistic merit and mainstream visibility with more flair than any electronica act of the 1990s. Ably defeating the image-unconscious attitude of most electronic artists in favor of a focus on nominal frontman Keith Flint, the group crossed over to the mainstream of pop music with an incendiary live experience that approximated the original atmosphere of the British rave scene even while leaning uncomfortably close to arena rock showmanship and punk theatrics....
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