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Eat/Kiss: Music for the Films of Andy Warhol

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Album Review

John Cale's soundtracks for two of Andy Warhol's experimental films of the early '60s, premiered in 1994 and recorded live at a concert at Lille, France, in 1995, are multi-part free-form works on which his keyboards are accompanied by fellow ex-Velvet Underground drummer Maureen Tucker, pedal steel guitarist B.J. Cole, and a string quartet. The abstract nature of the films allows Cale free rein to create impressionistic soundscapes occasionally reminiscent of the ambient work of Robert Fripp and Brian Eno. Cale fans should note that though some of the music is melodic, there is none of the pop or rock found on many of his albums, but then most Cale fans probably are adventurous enough to give this a try.


Born: 09 March 1942 in Garnant, Wales

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

While John Cale is one of the most famous and, in his own way, influential underground rock musicians, he is also one of the hardest to pin down stylistically. Much has been made of his schooling in classical and avant-garde music, yet much of what he's recorded has been decidedly song-oriented, dovetailing close to the mainstream at times. Terming him a forefather of punk and new wave isn't exactly accurate either. Those investigating his work for the first time under that premise may be surprised...
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Eat/Kiss: Music for the Films of Andy Warhol, John Cale
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