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The Best of Mac Davis

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Reseña de álbum

Razor & Tie's The Very Best of Mac Davis overlooks some late-'70s and early-'80s hits, but they're not missed, since this winds up as a first-rate chronicle of Davis at his peak. Davis walked the thin line between country and AM pop with his lavishly produced, sweet soft rock, delivering the melodies with just a hint of twang. This is unabashedly mainstream stuff, but it's so well done that it's hard to resist, especially since Davis' warm baritone is the perfect foil for is evocatively corny tales. This concentrates on his late-'60s/early-'70s material, when he was at the peak of his powers. The compilers were savvy, and this doesn't slow as it winds through his biggest hits of the time, along with a couple lesser-known hits. It's an excellent compilation, and even if it doesn't have "I Believe in Music," it will make you a believer.


Nacido/a: Lubbock, TX, 21 de enero de 1942

Género: Country

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

At his commercial peak in the mid-'70s, Mac Davis was one of America's most popular entertainers, a countrypolitan-styled singer and actor who found considerable success in both fields. Born Scott Davis on January 21, 1942, in Buddy Holly's hometown of Lubbock, TX, he began performing in local rock groups while still in his teens. After moving to Georgia, Davis first broke into the music business in 1962, when he was hired by the Chicago-based record label Vee-Jay as their Atlanta-based regional...
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The Best of Mac Davis, Mac Davis
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