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In the Zone (Bonus Track Version)

Britney Spears

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Reseña de álbum

If 2001's Britney was a transitional album, capturing Spears at the point when she wasn't a girl and not yet a woman, its 2003 follow-up, In the Zone, is where she has finally completed that journey and turned into Britney, the Adult Woman. Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs, but since she's not as dirty as Xtina, her spin is a little different. Where Christina comes across like a natural-born skank, Britney is the girl next door cutting loose at college, drinking and smoking and dancing and sexing just a little too recklessly, since this is the first time she can indulge herself. And that's what In the Zone is — Britney indulging herself, desperate to prove that she's an adult. She has been freed from her musical parent, Max Martin, who is absent for the first time from a Spears album, choosing instead to play the field and work with a bunch of different collaborators, including Madonna, Moby, the Matrix, Trixster, Roy "Royalty" Hamilton, Bloodshy & Avant, and R. Kelly. Since she's so determined to be a woman, not a girl, she has completely shed the sugarcoated big hooks and sappy love songs that drove her stardom, concentrating on music that glides by on mellow grooves or hits hard with its hip-hop beats. It's all club-ready, but despite some hints of neo-electro and the Neptunes, it doesn't quite sound modern — it sounds like cuts from 1993 or Madonna's Bedtime Stories and Ray of Light. Production-wise, these tracks are not only accomplished but much more varied than any of her previous albums — in particular, Moby's "Early Mornin'" has a sleek feel, Mark Taylor's "Breathe on Me" is alluring, and the Bloodshy & Avant productions, "Showdown" and "Toxic," are irresistible ear candy in what is surely Britney's most ambitious, adventurous album to date.

Reseñas de clientes

La verdadera zona de Britney Spears

Desde siempre he sabido que era mi disco favorito y que gracias a él amplié mis fronteras musicales. Canciones como "I've got that BoomBoom" "Breathe on me" o la genialísima "Everytime" son escasos ejemplos de los 14 temazos (Bonus track incluída) de este disco.
Un disco sin rellenos [bueno, el remix podría serlo] y de calidad.
Con 7 temas co-escritos por la mismísima Britney y el resto por grandes de la música tales como R.Kelly [Outrageous], Moby [Early Morning con Britney] o incluso Madonna [Me Against The Music con Britney].

Un LP cargado de sensualidad y buen gusto mediante estilos como HipHop, Trance, un poco de Electrónica o el Pop más puro [Brave New Girl] cargados de el más estilo "Britney".

Desde luego, el disco menos comercial de la diva no apto para todos los oídos. Recuerdo que a mí me costó entender el disco bastante tiempo, de hecho. Desde luego, una maravilla musical a cargo de la Princesita del Pop que ha llegado al primer puesto de mis discos favoritos "all time".

No debe faltar en vuestra colección.

No te vas a resistir al baile

Britney nos quiso demostrar que lo de niña se terminó. No tengo canción favorita porque son todas buenas.


Nacido/a: McComb, MS, 02 de diciembre de 1981

Género: Pop

Años de actividad: '90s, '00s, '10s

More than any other single artist, Britney Spears was the driving force behind the return of teen pop in the late '90s. The blockbuster success of the Spice Girls and Backstreet Boys certainly paved the way for her own commercial breakthrough, but Spears didn't just become a star — she was a bona fide pop phenomenon. Not only did she sell millions of records, she was a media fixture regardless of what she was (or wasn't) doing; among female singers of the era (many of whom followed in her footsteps),...
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