iTunes

Abriendo iTunes Store.Si iTunes no se abre, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para escuchar un fragmento y comprar música de Can't Take Me Home de P!nk, descarga iTunes ahora.

¿Ya tienes iTunes? Haz clic en Tengo iTunes para abrirlo ahora.

I Have iTunes Descarga gratuita
iTunes para Mac + PC

Can't Take Me Home

P!nk

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

It may be hard to listen to Pink's debut album Can't Take Me Home without hearing TLC, specifically their 1999 album Fanmail. After all, L.A. Reid and Babyface were the executive producers for both albums, and they decided to use a skittering, post-jungle rhythm for the bedrock of these savvy, club-ready dance-pop productions — a sound exploited expertly on TLC's record. If Can't Take Me Home pales next to Fanmail, it's not Pink's fault, nor is it because the album is sub-par; it's simply because it follows in the footsteps of a record that's as close to a modern classic as contemporary soul gets. Judged as its own entity, Pink's debut is quite strong, even if it isn't perfect. The production is masterminded by Babyface and LA Reid, who oversee such producers as Kevin "She'kspere" Briggs, Terence "Tramp-Baby" Abney, Daryl Simmons, and Tricky (not to be confused with the dark trip-hop genius, of course), and throughout this album, their work sparkles, from the deft layers of drum machines to the sultriness of the slow grooves. For the most part, Pink's performances match that production — she may not be able to deliver ballads with assurance and soul just yet, but she never over-sings. She also not only has an appealing voice, but displays a fair amount of chops. So, with the production and performances in place, that leaves just the songs. While there are no bad cuts on Can't Take Me Home, there aren't any knock-out punches, either. They're all fairly well-crafted, but they're more ingratiating than immediate, and if dance-pop should be anything, it should be indelible upon at least the second listen, if not the first. Many of the songs on Can't Take Me Home need a few spins before they truly sink in, which is a bit unfortunate. Still, it's not the worst situation in the world, either, especially since a lot of the tunes actually do make an impression with repeated plays. So, Can't Take Me Home doesn't really escape many of the pitfalls of a debut, but thanks to LA Reid and Babyface's production and Pink's engaging talents, it's a promising first effort all the same.

Biografía

Nacido/a: Doylestown, PA, 08 de septiembre de 1979

Género: Pop

Años de actividad: '90s, '00s, '10s

Although initially viewed as another face in the late-'90s crowd of teen pop acts, Pink (professionally known as P!nk) quickly transcended and outgrew that label with her combination of pop songcraft and powerhouse, rock-influenced vocals. Born Alecia Moore on September 8, 1979, in Doylestown, Pennsylvania, P!nk received her nickname as a child, years before she dyed her hair accordingly. She grew up in a musical family and was a regular on the Philadelphia club scene by the age of 13, first as a...
Biografía completa
Can't Take Me Home, P!nk
Ver en iTunes

Valoraciones de clientes

No hemos recibido suficientes valoraciones para poder mostrar un promedio de este artículo.

Seguidores

Contemporáneos