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Canto nascosto (Omaggio al pianoforte)

Enrico Pieranunzi

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Italian jazz pianist Enrico Pieranunzi uses five different acoustic pianos throughout Canto Nascosto, his 2000 solo outing. On this effort, the estimable jazz virtuoso renders a set laced with sentiment, topped off by his predilection for delicately formulating his lyrically charged concepts. Essentially, this is a nicely balanced program, tinged with romanticism, jubilance, and lament. On the piece titled "Per Due," Pieranunzi executes radiant harmonies atop fleeting mini-themes and chord-based flurries. He also pursues somber balladry to coincide with a Bill Evans-like touch. Besides the lush melodies and wistful themes, the pianist supplants his stylizations with a rhythmically inclined delivery. Perhaps not one of Pieranunzi's most striking works, but a very strong effort indeed. Here, the artist explores various tonal concepts to complement a mainstream type approach.


Nacido/a: Rome, Italy, 1949

Género: Jazz

Años de actividad: '70s, '80s, '90s, '00s

A superior post-bop pianist influenced by Bill Evans and McCoy Tyner but long possessing his own sound, Enrico Pieranunzi is one of the top jazz pianists living in Italy. He began studying piano when he was five, partly from his father, who was a jazz-loving guitarist. Pieranunzi became a professional when he was 19, playing with trombonist Marcello Rosa's quartet. Since then, in addition to leading his own groups, Pieranunzi has worked with many top players (both Europeans and Americans) including...
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Canto nascosto (Omaggio al pianoforte), Enrico Pieranunzi
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