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El Juicio

Willie Colón

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Reseña de álbum

Just this side of a classic, El Juicio is yet another frenetic volume in the continuing series of classics produced by Willie Colón and Hector Lavoe during one of the most fruitful partnerships in Latin music history. With Cosa Nuestra and La Gran Fuga (The Big Break) already under their belt, and a few years of honing their material on the road, Colón and Lavoe produced a pair of classics on El Juicio, the eight-minute "Timbalero," which approximates the sonic experience of a barnyard parade down 110th Street, and the six-minute "Aguanile," both of which should have come with caveats for all but the most conditioned salsa dancers. It may not equal Cosa Nuestra before it or Lo Mato just after of it, but El Juicio would be the best moment in any other salsa artist's catalog.

Biografía

Nacido/a: New York, NY [The Bronx], 28 de abril de 1950

Género: Salsa y Tropical

Años de actividad: '60s, '70s, '80s, '90s, '00s

Trombone player, composer, and bandleader Willie Colón is one of the pioneers of Latin American music. Despite initial criticism, Colón's album El Malo has become known as one of the first albums to feature the "New York Sound" that sparked a renewed interest in Latin music during the 1970s. Colón has been instrumental in the careers of such Latin musicians as Rubén Blades, who first sang with Colón's band in 1975, and Celia Cruz, for whom Colón has produced such albums as Only They Could Have Done...
Biografía completa
El Juicio, Willie Colón
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